Title: Walking on Water
Author: Matthew J. Metzger
Publisher: NineStar Press
Release Date: November 13, 2017
Heat Level: 3 – Some Sex
Genre: Fantasy, fantasy, mermaids, trans, magic, fairy tales, bisexual
When a cloud falls to earth, Calla sets out to find what lies beyond the sky. Father says there’s nothing, but Calla knows better. Something killed that cloud; someone brought it down.
Raised on legends of fabled skymen, Calla never expected them to be real, much less save one from drowning—and lose her heart to him. Who are the men who walk on water? And how can such strange creatures be so beautiful?
Infatuated and intrigued, Calla rises out of her world in pursuit of a skyman who doesn’t even speak her language. Above the waves lies more than princes and politics. Above the sky awaits the discovery of who Calla was always meant to be. But what if it also means never going home again?
Walking on Water
Matthew J. Metzger © 2017
All Rights Reserved
When the sand settled, only silence remained.
The explosion had gone on for what felt like forever—a great boom that shuddered through the water, a shadow that had borne down on the nest like the end of the world had come, and then nothing but panicked escape from the crushing water, the darkness, and the suffocating whirlwind of sand and stones. In the terror, it had seemed like it would never end.
But it did end, eventually. When it did, Calla lay hidden in the gardens, deafened and dazed. She was shivering, though it wasn’t cold. An attack. They had been attacked. By what? Orcas and rival clans could hardly end the world. And what would wish to attack them so?
She took a breath. And another. Her attempts to calm herself felt pathetic and weak, like the desperate attempts of a mewling child. Where was Father? Her sisters? Where even the crabs that chattered and scuttled amongst the bushes? She was alone in the silent gardens, and Calla had never been alone before.
Slowly, she reached out. Slipped through the towering trunks, to the very edge of the gardens, to where the noise had come from. Drew aside a fern and—
Ducked down, clapping a hand over her mouth to prevent the gasp.
A giant beast lay in the courtyard.
Still. Oh, great seas, be still. She held her breath and closed her eyes. It had to be an orca, a beast so huge, and it would see her if she moved.
Yet even in her fear, Calla knew that wasn’t quite right.
Orcas didn’t come this far south—did they? Father had said they would be undisturbed here. Father had said.
She peeked again. Daring. The beast didn’t move.
Nor was it an orca. It was impossible, too huge even for that. Oh, she’d not seen an orca since she’d been a merling, but they’d never been that big. It had squashed the courtyard flat under its great belly, its tail and head—though she couldn’t tell one from the other—spilling out over the rocks and nests that had been homes, once. It would have crushed their occupants, surely. What beast killed by crushing?
Hesitantly, she drifted out of the garden. Her tail brushed the ferns, and she wrapped her fins around them, childishly seeking comfort.
The beast didn’t move.
In fact, it didn’t breathe. Its enormous ribcage, dark and broken, was punctured by a great hole, a huge gaping blackness longer than Calla’s entire body, and wider by far.
It had been slain.
Bloodless. It was quite dead. How could it be dead, how could its heart have been torn out so, without spilling blood into the water? Where was the column of red that marked its descent? Where was—
It was no beast.
Calla fled the safety of the gardens in a flurry of excitement. No, that great oval shape was familiar. How many had scudded gently across the sky in her lifetime? How many times had she watched their passage from her window? Beautiful, dark, silent wonders. Oh, a cloud!
She rushed closer to look. How could a cloud have fallen to earth? Father had said they were simply things that happened in the sky, and no concern of theirs. But this one had fallen, lay here and near and so very touchable—and now Calla wanted to touch the sky.
She held her breath—and touched it.
Rough. Sharp. Its body was dark against her pale hand. And hard, so very hard. She had imagined clouds to be soft and fluid, to walk on water as they did, but it wasn’t. Huge and heavy, it was a miracle that it walked at all.
And a home: tiny molluscs clung to it. As she walked her webbed fingers up the roughness and came over the crest of its enormous belly, she mourned its death. This must have killed it. Such a deep, round belly—clouds were obviously like rocks and stone, but this one had been cut in half. Exposed to the sea was a sheer, flat expanse of paleness, with great cracks in the surface. A column stuck out from the middle, and two smaller ones at head and tail. It had been impaled by something, the poor thing.
The hiss reached her from far away, but Calla ignored it. The poor cloud was dead. It had been slain, and whatever had dragged it from the sky must have been immense, to wield spears like those jutting from its body. And it wasn’t here.
Clouds were harmless. Dead clouds, even more so.
“Calla, what are you doing?”
“Meri, come and see!” she called back to her sister and ducked to swim along its flattened insides. Great ropes of seaweed, twisted into impossible coils, trailed from its bones. Vast stains, dark and pink, smeared its ragged edges. When Calla peered up into the sky, at the stream of bubbles still softly rising from its innards, she could see the gentle descent of debris. It had been torn apart.
Orcas? But an orca pack would have followed it down. Sharks? Calla had never seen a shark, but Father had, long ago when he was a merling, and he’d said they were great and terrible hunters. Were sharks big enough to do it?
That was not Meri’s voice. Deep and commanding, it vibrated through the water like a blow. Calla found herself swimming up the side to answer automatically, and came clear of the cloud’s gut barely in time to prevent the second shout.
Father did not like to call a second time.
She went. At once. The immense joy at her discovery was diminished in a moment by his stern face and sterner voice, and Calla loathed it. She felt like a merling under Father’s frown and struggled to keep her face blank instead of echoing his displeased expression.
“You should stay away from such things. The guards will deal with it.”
He gave her a look. She ducked her chin and drifted across to join her sisters at the window. The window. Pah. What good was the window, was seeing, when she had touched it?
“What is it?” Balta whispered, twirling her hair around her fingers.
“A cloud,” Calla said in her most impressive voice and then pushed between Meri and Balta to peer out. The guard were swarming over the cloud’s belly, poking more holes in the poor thing’s body. “Something killed it.”
Meri snorted. “Talk sense, Calla.”
“You sound like a seal, grunting nonsense.”
“I do not!”
They subsided under Father’s booming reprimand—although Calla snuck in a quick pinch before stopping—and returned to watching.
“Clouds don’t fall out of the sky,” Meri whispered. “It must be a shark. There’s nothing so big as a shark. Father said so.”
“Father also said sharks don’t come this far north,” Balta chirped uncertainly, still twirling her hair.
“That’s a cloud,” Calla said and peered upwards to the sky, her eyes following the great trail of bubbles, “and I bet something even bigger killed it.”
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Meet the Author
Matthew J. Metzger is an ace, trans author posing as a functional human being in the wilds of Yorkshire, England. Although mainly a writer of contemporary, working-class romance, he also strays into fantasy when the mood strikes. Whatever the genre, the focus is inevitably on queer characters and their relationships, be they familial, platonic, sexual, or romantic.
When not crunching numbers at his day job, or writing books by night, Matthew can be found tweeting from the gym, being used as a pillow by his cat, or trying to keep his website in some semblance of order.
Interview with the Author
1. Have you ever written a character with an actor in mind?
Occasionally! I have a character called Erik in a current project, Erik the Pink, who is physically based off Brian Blessed. This big bloke with a booming voice and huge beard, who just exudes personality all over the place and shouldn’t be able to fit in a normal sized environment.
2. Have any of your past loves inspired characters in your books?
No, although in part because if I wrote the story of my ex-boyfriend and me, nobody would believe it. Too far-fetched and over-romanticised nonsense. Even I’d review it like that!
3. Which character(s), created by you, do you consider as your masterpiece(s)?
I think my side characters are my best, because it’s through them that I can bring the atmosphere and the setting of a book to life. And main characters can’t exist in isolation—who they are is often best revealed by how they interact with the people around them. I think my best character is Doktor Hauser in Walking on Water. He’s the royal physician, this grumpy old git of a doctor who pretends to barely tolerate his charges and isn’t afraid to stick them with pins when they’re being difficult, royalty or no royalty. But through him we get to see the complexities of being royal, how both the king and the prince struggle to balance their sense of duty with their very personal wants that may not be in the best interest of the kingdom.
4. Which literary character do you most resonate with on a personal level?
When I was younger, I used to really relate to Jo March from the Louisa May Alcott Little Women series. She was a writer, she was outdoorsy, she had a temper and could act out, she wasn’t very good at being a girl but the expectation to do all of that came from outside of her family rather than within it, and she found her writing niche and success not in doing epic people-pleaser stories but in quiet books about real people.
5. Which of your novels best describes you as a person?
I think The Italian Word for Kisses and Big Man come the closest. I was raised very much in the northern, working-class tradition where if there’s someone giving you trouble, you hand the trouble right back. As an adult, I firmly believe the only person who can—should–save you is yourself, be that from other people or even saving you from yourself. Other people can help you, support you, lend a hand, but ultimately if you can’t stand up for yourself and get yourself in line, you’re only going to fall down again. And that’s really where both books come from, this idea that it’s not about being protected or being saved, but saving and protecting yourself.
6. When you were young, did you ever see writing as a career or full-time profession?
No, and I still don’t. I think if all you do all day is sit in a box writing and only seeing the world through social media, it skews. And badly. I see social media activists getting into really nasty feuds and fights over word usage, and then I go out the door and go to work and get spat on by people, get assaulted, get death threats, and still have to be calm and rational and save the day. I step outside of the cozy literary world five days a week, and that experience is vital to bringing something else into the genre, bringing some reality back into it. So while I love writing and I doubt I’ll ever stop, it’s never going to be my full-time job, because it’s never going to be my life.
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